Jesus of Nazareth (c. 4 BCE-30) Images

This rare mosaic comes from the center of a mosaic pavement in a 4th-century Roman villa. It was discovered in the village of Hinton St Mary (Dorset) in 1963. It is the earliest known image of Christ in Britain and the only known portrait of Christ used in a mosaic pavement. Instead of a halo there is a Chi-Rho (first two letters of Christ in Greek) monogram behind his head. The pomegranates symbolize resurrection. British Museum, London. Credit: Holly Hayes. All Rights Reserved.


Image ID
7566
Title
Hinton St Mary Mosaic
Date
October 14, 2010
Location
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                                "caption" => "This rare mosaic comes from the center of a mosaic pavement in a 4th-century Roman villa. It was discovered in the village of Hinton St Mary (Dorset) in 1963. It is the earliest known image of Christ in Britain and the only known portrait of Christ used in a mosaic pavement. Instead of a halo there is a Chi-Rho (first two letters of Christ in Greek) monogram behind his head. The pomegranates symbolize resurrection. British Museum, London."
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                            4 => Image {#2498
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                                "caption" => "The first dream of Pharaoh: seven lean cows devour seven fat cows (Genesis 41:17-21). Joseph interprets these to mean that seven years of abundance will be followed by seven years of famine. Detail of mosaics depicting scenes from the life of Joseph on a cupola in the north narthex, 13th century. Basilica di San Marco, Venice, Italy."
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                                "caption" => "The first dream of Pharaoh: seven lean cows devour seven fat cows (Genesis 41:17-21). Joseph interprets these to mean that seven years of abundance will be followed by seven years of famine. Detail of mosaics depicting scenes from the life of Joseph on a cupola in the north narthex, 13th century. Basilica di San Marco, Venice, Italy."
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                            5 => Image {#2500
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                                "caption" => "Mosaic of the Ascension of Christ on the east facade, possibly by Berlinghiero Berlinghieri, 13th century, restored in 1853. Basilica di San Frediano, Lucca, Tuscany, Italy."
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                            6 => Image {#2502
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                                "city" => ""
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                                "caption" => "Detail of a perfectly preserved floor mosaic of a griffin dating from the 11th century. It is located in the ruins of a square building of unknown purpose (possibly a tower) on the west side of the early medieval basilica. It can now be seen through a glass panel in the nave and in the museum of excavations below. The griffin, which has the head and wings of an eagle and the body of a lion, was often used in Christian medieval art to symbolize the dual natures of Christ. Bitonto Cathedral, Puglia, Italy."
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                                "caption" => "Detail of a perfectly preserved floor mosaic of a griffin dating from the 11th century. It is located in the ruins of a square building of unknown purpose (possibly a tower) on the west side of the early medieval basilica. It can now be seen through a glass panel in the nave and in the museum of excavations below. The griffin, which has the head and wings of an eagle and the body of a lion, was often used in Christian medieval art to symbolize the dual natures of Christ. Bitonto Cathedral, Puglia, Italy."
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                            7 => Image {#2504
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                                "caption" => "Golden mosaic dated 1207 and signed by a certain Solsternus, depicting Christ between the Virgin Mary and Saint John. The Latin text on Christ's book reads, "I am the light of the world." West facade of Spoleto Cathedral, Umbria, Italy."
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                                "caption" => "Golden mosaic dated 1207 and signed by a certain Solsternus, depicting Christ between the Virgin Mary and Saint John. The Latin text on Christ's book reads, "I am the light of the world." West facade of Spoleto Cathedral, Umbria, Italy."
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                            8 => Image {#2506
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                                "caption" => "Detail of mosaic on the right wall of the apse, depicting Empress Theodora - courtesan, actress, and wife of Justinian - with her court. Corresponding to Justinian's paten on the other wall, the empress holds the cup of communion. San Vitale Basilica, Ravenna, Italy."
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                            15 => Image {#2520
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                            16 => Image {#2522
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                            18 => Image {#2526
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                            19 => Image {#2528
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                            20 => Image {#2530
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