*Kimbolton Castle (now Kimbolton School) in Cambridgeshire is best known as the final home of Catherine of Aragon, following the annulment of her marriage to King Henry VIII.
National Heritage List for England Data
Kimbolton Castle is listed on the National Heritage List for England, with the following data. Some information may have become outdated since the date of listing.
- List Entry ID
- Listing Type
- listed building
- KIMBOLTON SCHOOL
- KIMBOLTON SCHOOL, CASTLE GREEN
- Grid Reference
- TL 10068 67603
National Heritage List for England Description
The following text is courtesy of Historic England. Text © Crown Copyright, reprinted under the Open Government License. Some information may have become outdated since the date of listing.
KIMBOLTON CASTLE GREEN TL 095675 (EAST SIDE) 6/7 KIMBOLTON SCHOOL 24.10.51 (FORMERLY LISTED AS KIMBOLTON CASTLE)
Large country house, the present external appearance is substantially due to Sir John Vanbrugh who in 1707-10 remodelled the C16 and C17 home which had been built on a C12 moated site. Vanbrugh was assisted by Nicholas Hawksmoor and the Clerk of Works was William Coleman of Kimbolton. The house retains the plan of four ranges round a courtyard. The walls are ashlar faced in Weldon and Ketton stone and the roofs are of slate, leaded, with chimney stacks also ashlar faced. The elevations are symmetrically designed, each with an embattled parapet, main cornice and rusticated angle pilasters. Lower ground floor forms a plinth or podium with moulded upper edge at principal floor sill height. Corner towers to north and west elevations. Fenestration of hung sashes with glazing bars in segmental heads and raised moulded architraves. West front. Of two storeys and lower ground floor with three storeys to corner towers. Main range of twelve window bays including two slightly projecting centre bays. Two bays each to towers. Late C17 central carriageway entry. Semi-circular headed arch with keyblock carved with Montagu crest. Panelled double doors. Two C18 lead rainwater heads and downpipes to main range. South front. Two storeys and lower ground floor. Of nine bays, including three slightly projecting centre bays. Central entry approached by double staircase enclosed by wrought iron balustrade incorporating monogram in centre between piers on rusticated bases. Semi-circular headed arch in rusticated surround to lower ground floor below staircase. Doorcase of engaged Doric columns with entablature. Half-glazed double doors. Two, fine late C17 rainwater heads, downpipes and straps. East front. Two storeys and lower ground floor. Projecting portico approached by flight of stone steps, segmental in plan, flanked by curving balustrades with moulded rails. Roman Doric portico of three bays divided by giant columns and flanked by two pilastered bays with round headed niches in two tiers. Interior of portico has central, tall round headed recess with similar arch to doorway to principal floor. The portico and steps have been attributed to Alessandro Galilei (1691-1737). North front. Originally of three storeys with projecting corner towers, fourth floor added to main range. Five bays to main range and two bays to each tower. Five bay loggia at ground floor with end bays blocked. Moulded eliptical arches carried on rusticated piers. Courtyard. Late C17 and attributed to Henry Bell (1653-1717). Of fine, gauged and rubbed red brick, repaired, with stone dressings. Modillion eaves cornice with enriched soffit. Ranges of hung sashes with glazing bars in moulded stone architraves with square heads. Keyblocks carved with heraldic devices of Montagu family and flanked by acanthus scroll ornament. East wall in five bays divided by Corinthian pilasters with entry in centre bay approached by stone staircase flanked by fine original wrought iron balustrade. Doorcase of engaged Ionic columns with entablature and segmental pediment with Montagu crest to tympanum. The pediment is surmounted by a full achievement of Montagu coat of arms. Around the courtyard are eight fine late C17 rainwater heads, downpipes and straps. Interior. The plan and decoration of the suites of rooms on the principal and first floors remain substantially intact from the late C17 and early C18. Of particular importance is the panelling in the chapel, main staircase, saloon and Great or White Hall. The wall painting in the Queen's Room or boudoir and on the main stair- case are fine examples of the work of Pellegrini. Other examples of his work are in the chapel and in the Great or White Hall. The over-door paintings in the east range are 1736-38 and by William Jones. There are a number of original fireplace surrounds, with the one in the saloon bein